We’ve just received a 4 star review for our album ‘The Circus Of Outrageous’ from Vito Camarretta at Chain D.L.K. Very pleased with this thoughtful review. The guy had really listened to the album and hit the spot for me with some keen insights.
Kuhl: The Circus of Outrageous
Posted by Vito Camarretta (@)
Synth Pop / Electro Pop / Synth-Electronica
Jun 12 2018
Artist: Kuhl (@)
Title: The Circus of Outrageous
Format: CD & Streaming
“Nothing living should ever be treated with contempt. Whatever it is that lives, a man, a tree, or a bird, should be touched gently, because the time is short". The medley of the thought-provoking track "Civilization", opening "Circus of Outrageous" (some sonorities could vaguely resemble another notorious circus by Death In Vegas) by Kuhl - an interesting musical idea by Cas Greenfield and Mikey Cooling -, quotes "Green Dolphin Street", an old movie by Saville, inspired by a novel of Elizabeth Goudge. In spite of the excessively lovey-dovey tone of some moments of this movie, the quotation seems to be a sort of manifesto for the aesthetic self-assigned mission by this band (later on, they sing "There is power in beauty in the songs we have bought/Bringing order to chaos, we create not destroy/We fight hatred with love/What we learn makes us strong/We crush the spirit in the rivers of blood").
Maybe they took themselves too seriously, but the fact we live at the peak of a really decadent age, where someone like Kuhl (maybe they're not that original) could invite to a violently delicate riot, is almost unquestionable. A delicate riot, we said, as the ones that some 80ies pop bands that could have inspired Kuhl's sound (Yello, Pet Shop Boys, Spandau Ballet) as well as some nostalgic contemporary actors (such as Blue States - check tracks like "Headrush" to feel some similarities with the very last outputs by that pleasing bath of British nostalgia - or other pushers of lazy space or contemporary folk grooves of the 90ies) were maybe dreaming.
I wouldn't consider "Circus of Outrageous" a genial album, but it's a multifaceted emotional pack, where the meaningful moments prevail even when they intentionally explore seemingly kitsch or cliched styles ("Uber", Kashablankha" or "You, Me, The Start and Love" - one of those song where a featuring by Louie Austen could be perfect! -). The way of singing some songs like "Zsa Zsa" or "Space Cake" managed to resemble the style by Earl Zinger. Nicely eclectic stuff.